Saturday, July 16, 2011

Historicals Never Die 2



Not long after I published my last post, my latest e novel from Belgrave House went online and is now available from. www.belgravehouse.com.

Blurb . . . To prevent the loss of his estate in a wager, Remy St Cyres agrees to abduct and wed the first woman who comes through the inn door. Fleur Russell is that woman. And, her reputation ruined, her brothers—who half kill her abductor—insist on marriage. The son of a Spaniard, Remy is recruited as a spy in England’s war with Spain. A tale of betrayal, revenge and untimely love… Georgian Historical Romance by Janet Woods; originally published by Robert Hale [UK]

Friday, July 15, 2011

Historical Novels Never Die.



Historical novels never die.

As soon as a book is published there is a reaction from family and friends, convinced the author has become an instant millionaire. Some do, but alas . . . not many, and not this author. Writing is not a rags-to-riches occupation for most. When told the truth, non-writers often give a lift of the eyebrow, and a pull-the-other-leg-it’s-got-bells-on, expression.

It’s true. Some talented people do zoom up the ladder to instant fame and fortune, but other, often equally talented people don’t, especially with a first book. Many people who have stories to tell give up too soon. Others plod on.

When my first historical novel was published about 12 years ago I was delighted beyond measure. In manuscript form DAUGHTER OF DARKNESS, which is Georgian Gothic in nature, had been a runner up in a competition run by a women’s magazine. The book was published by a library book publisher a year or so later, one specializing in producing hard-covers. Dollar signs flashed before my eyes.

It was, in fact, the first step on a very long ladder, one whose heights I haven’t scaled yet. As an unknown writer – at its best – my book would have sold about three hundred copies, I imagine. As my first book baby, I saw no fault in this well-produced and attractive hardcover, which turned out to be the first of many.

In 2002 DAUGHTER won the R*by award, which, for those not in the know, is the competition run by the Romance Writers of Australia, for their published writers. This organization is of benefit for anyone writing romance based novels, whether mainstream or genre, well published, or a noviciate. However, I’m not here to plug the RWAus - which at the time of writing is celebrating it’s first twenty years of existence though I do urge budding authors to join one or more of the many writers organizations and E lists available to them in different countries since their aim is your aim – to get you into print through various means.

So . . . back to the progress of one lone book. After it breathed its last gasp on the initial publisher run, the manuscript sat on my shelf, neglected and unread. From time to time a library patron would writes to remind me of its existence, and I’d drag my first born out of its cobwebby corner to gaze upon it with a twinge of pride. Oddly, the female on the cover of the original hardcover version is the image of my middle daughter.

One of the benefits of historical novels is that the contents never die (unless the files corrupt, but that’s another issue altogether!) History never changes - never dates. You never have to re-edit to bring a past era up to date. You never have to add a mobile phone, a computer, a deodorant, a telephone, or alter the length of a hem.

I’ve since applied and received the rights back to what was, to all intents and purposes several dead and forgotten books, though I had to wait over a year from my first request. They are in the process of being resurrected as an E book under a different cover, and have begun to earn their keep at Belgrave House. I’ve also sold other rights to my long neglected first book.

As well as the E book, DAUGHTER OF DARKNESS will soon be available from the Canadian Publisher on audio downloads, IAMBIK. At the moment it’s still being recorded; by a gentleman called Tadgh Hynes. (I’m not quite sure how to pronounce that first name; at a guess, it might be Tayg.) I was invited to audition the voices and pick the reader I preferred. Tadgh Hynes has a lovely Irish-accented voice that’s easy on the ear, and my book has a touch of Ireland stirred in so they’re a good match, I think.

Added to this audio book is the sale of Portuguese language rights to a Brazilian publisher, and more recently, an offer to produce it in large print from Magna. DAUGHTER OF DARKNESS is beginning to earn again after a twelve-year hiatus. And the book will go into libraries to boost the numbers, where it will earn Public Lending Rights while it still exists in hardcover print form.

By exploiting the work as best you can, the earnings will accumulate over time. Although it might not make you an instant millionaire, it can add up to a useful sum over time.

Friday, April 22, 2011

Victorian Misses



Victorian Misses.

Young women did not go out without a chaperone in Victorian Britain.These general sorts of statements don’t sit well with me, and this is why. Queen Victoria reigned for over 60 years, and over that time the world changed and progressed considerably.

I’ve written several books set in the “Victorian age.” “Hearts of Gold” started almost at the end of Victoria’s reign in the late 1890s. The heroine was a brat from the goldfields, sent to England by her mentor. My next release, “Lady Lightfingers” (30/6/11) is also set in the “Victorian age” but fifty years earlier in the 1850s, and in the London slums. “A Dorset Girl” saga was set in the 1830s, earlier still. What did they have in common? Very little, except the heroines were not members of the privileged classes. Each book was researched separately for the period within that age, to make it authentic to its particular time.

Did they write the books of etiquette for the majority of working class women? I doubt it. Most books of manners were designed for those who could afford to indulge in it. Fashion catalogues display silks and satin gowns, accessories such as kid gloves, fans and hats all through the period. Victorian ladies didn’t all wear hooped crinolines, but one of my heroines did use a discarded one as a sunshade for her child. The same economics that applied then, apply now. The majority of lower middle class young women couldn’t afford designer wear, or chaperones . . . or even underwear come to that. It stands to reason that they couldn’t afford several changes of outfit, but might have a special one kept for Sunday best, weddings and funerals.

In 1891 women were told that, legally, they could no longer be forced to live with a man if they didn’t want to. This was a two-edged sword. Divorce brought scandal with it for the female, and usually loss of her children. Without income, often the alternative was to starve to death or take up prostitution.

Even Queen Victoria must have regarded herself as her husband’s chattel, for she was reported as saying, from her lofty position of top hen in her glittering henhouse – thus setting back the women's movement by a number of years, I imagine – “Let women be what God intended, a helpmate for her man, but with totally different duties and values.” With total respect, I wonder how she know what He intended, and would she have said the same, had she been one of the 1,740,000 female domestic servants in England struggling to stay alive? Many maids in Victoria’s time took the occasional man to bed for supplemental income. They were called dollymops . . . very apt.
Victoria and Albert produced nine offspring, I believe. Of course, Queen Victoria never had to make ends meet, and, bless her . . . I wouldn’t like to have lived her life.

My mother’s child-raising wisdom came from clichéd and sometimes cutting little Victorian proverb from her Victorian upbringing. I’ve been careful not to pass them on to my own. “Children should be seen and not heard. Spare the rod and spoil the child. You’ve made your bed, now you must lie on it. Pride goes before a fall . . . etc.”

Thank goodness we reach a point in life where we can think and reason for ourselves, and wonder at some of the tosh we accepted as wisdom. Unfortunately those wisdoms weren’t tosh to them. They were a necessary part of discipline. Mostly it was rule by fear in my childhood. I was scared of anything with an official feel or a uniform attached to it – policemen, teachers, parents, priests, soldiers, bus conductors and fatherly lectures all signified authority. It didn’t stop me rebelling, even though one of my teachers was a reincarnation of Sweeny Todd, except she used a ruler instead of a razor.

So, our characters should be true to life, too. They should be encouraged to step out of the rule book and live their own lives. Over the sixty-year span that was the “Victorian Age” women weren’t all laced tightly into corsets (I mean that metaphorically as well as literally). If we wrap characters in rigid rules, manners and clichés they’ll come across as cardboard, or at the very least, clones.

When I look at the “Victorian age” it has lots to commend it. On the industrial front, there were engineering breakthroughs, sewerage disposal was improved and railways networked. There was a certain amount of hypocrisy too – child labour, wars, forced immigration and starvation. But nothing was static. Advances were made in industry, medical and moral mores – too many keep up with. Bear in mind that change didn’t happen in all parts of England at the same time. The rural south trailed behind the industrialized north. So while some people enjoyed the luxury of train travel another part of the country might still be bumping around the countryside in a wagon.

Unless you can travel back through time it’s impossible to know how people actually acted or spoke in the past. Sure, they wrote letters, essays and books, and sure . . . somebody wrote a rule book. Writing is a more formal way of expression than speech is. We all act differently when we’re on public view, but relax at home. When we write we don’t stutter or hum and har on the page. We don’t have people interrupting and turning our train of thought to something else, we don’t use body language to help people understand meaning, like we do face to face. We stick to the point.

Women wouldn’t have gone out without a chaperone? Some women, perhaps.

Remember the early TV ads, where the lady of the house wore stilettos, make-up, beehive hairdos and false eyelashes, when they cleaned the oven with greasy goop? Did we all dress like that to clean the house in? Nuff said!

Friday, April 1, 2011

LADY LIGHTFINGERS



Severn House publishes books in several genres. Romance, ancient and modern. Saga. General fiction and Crime – in fact they have just launched a new line Crème de la Crime. I imagine you think this blog is a plug for Severn House as well as my book. Well, yes, it is. But why not when they publish my work, and have done so for some time? I’m proud to find myself in the company of well-known and best selling authors.

Of the twenty-eight books I’ve had published, LADY LIGHTFINGERS is my thirteenth publication with Severn House. It will be released in hardcover in June, and is available now for pre-order. LADY LIGHTFINGERS has a Dickensian feel in the location and story line, I've been told. As always, it has the traditional happy ending my readers have come to expect. I’ll let the blurb speak for itself. And yes . . . the lovely cover does reflect the story, since the gold watch and key features in the early pages of the book.

LADY LIGHTFINGERS – by Janet Woods
Severn House UK
Release date. June 30th 2011
ISBN: 978072788056

Raised in the slums in 1850s London, Celia Laws is a rarity, an educated young woman whose creative skills have attracted notice. But with family to care for, circumstances have driven her to pickpocketing. In Celia’s harsh world, it’s a small step from picking pockets to prostitution. When a young man offers her a fortune in return for spending a week with him, she takes the money and runs – to a spinster aunt in Dorset.

Aunt Harriet takes pity on her young relatives, and she offers them a home and opportunities. But Celia’s conscience will not allow her to forget the money she stole, nor can she bring herself to spend it. A chance encounter with Charles Curtis, the young lawyer she deceived – and eventually comes to admire – brings her face to face with her past and thrusts her into an uncertain future.

Thursday, February 17, 2011

My Family



My Family.

Spiked perhaps by the TV programme “Who do you think you are?” I’ve recently developed an interest in discovering my ancestors. This is because we migrated to Australia from England over four decades ago, and it will give my children and those who come after, a back-story of family history.

Seeking out deceased relatives hasn’t become an obsession with me yet, but the more I uncover the more my curiosity is piqued, and the more the feeling of kinship with those who have departed grows.

Nothing remarkable has turned up yet. Both sides of the family I’ve managed to unearth so far were housekeepers, domestic gardeners, cattle dealers, brick-makers, chauffeurs, laundry-maids, fishermen and mothers.

And goodness, were they mothers! These women did it tough, with five, nine or even a dozen kids being a fairly normal brood ¬– and the offspring being thinned out by disease, just as normal. Life is short when measured in decades, and it makes me wonder what humanity is all about sometimes. But this is the stuff historical sagas are made of, especially those that cross generations.

I always knew my “down south” paternal grandfather was a chauffeur. I have photographs of him in his uniform at the wheel of a Rolls Royce Silver Ghost. The copy of the County of London driving licence I have for him is dated 10th April 1911, and is valid for a year. However, by digging a little deeper I discovered he was a coachman before he drove a car, something I didn’t know. I’m in awe of anyone who can stay on a horse, let alone drive a team perhaps, and with a carriage attached.

My “up north” grandfather on the maternal side owned two fishing boats and he and his sons fished the North Sea. With a family of about eleven children to feed and clothe, life must have been extremely hard and dangerous. When I met him he also had an allotment.

Despite their humble occupations, there is pathos to be discovered . . . an uncle who died in the battle of Jutland at the tender age of 17. He was a boy seaman HMS Invincible his first ship. Imagine how excited and proud he must have been when he stepped on board for the first time. Then there are several infants in various churchyards who died of God knows what.

As for my other uncles, I found a little bald patch in the research for two of them. Then I remembered talk of Irish in the family. A bit of probing and I discovered they’d been born in Ireland, for I found them as infants on the Irish Census. And that was probably when and where grandfather used his coachman skills.

I’ve done my share of menial jobs like being a cleaning lady, a waitress, a shop assistant, wife, and mother to four – and at one time I followed a family trait of chauffeuring people around by being a taxi driver.
Now I’m an author . . . a saga writer, and that’s what I’d rather be remembered for – my creative input rather than my practical skills.

Snooping into the lives of the ancestors has given me lots of ideas for novels. I wonder . . . will a fall of the genetic dice produce a set of DNA similar enough to mine to create another author? Then again, there might already be one out there that I haven’t found. I guess I’ll just remain the odd one out on the family tree until I discover different.

Saturday, February 5, 2011

PAPER DOLL Review



Once a perfect daughter, who inspired her toy manufacturer father to create a paper doll in her likeness, Julia loses her fiancé in WWI. With no plans for the future, she gads about with a fast crowd, much to her father's dismay.

An older business acquaintance of her father's, Latham Miller, saves her from a cruel trick, but there is something about Latham that disturbs Julia. He asks her to marry him, and she is reluctant to say yes. Instead, she is intrigued by her father's new manager, Martin Lee-Trafford, a doctor during the war who had a breakdown and returned home.

But when her father becomes ill and asks Julia to marry Latham, she dutifully obeys. Latham turns into a different man after marriage, determined to do whatever he wants with whomever he wants, so Julia starts an affair with Martin.

Woods tells a tale of the tumultuous, roaring twenties filled with glamour and sex, a wild ride that will leave readers breathless and ultimately triumphant.
--Booklist, February 1st, 2011

Monday, January 10, 2011

Audio books




It's not often that audio books get an airing on my blog. I don't know why, when most of my books are available from ISIS Soundings in audio form, as well as print. So this is to introduce my two latest books, 'Salting the Wound' which is read by Gordon Griffin. Gordon is a new reader for me. I'm quite looking forward to hearing a man read my work. It will be a change. The sequel,'Straw in the Wind' is read by Patience Tomlinson, a reader I'm familiar with, since she's read some of my earlier books.

People have asked me if I listen to my own work being read. Yes, I do. The readers bring a fresh eye to your work, and although the characters might not appear to be interpreted as you wrote them, the fresh slant on them is interesting.

Each disc lasts about an hour, and the whole book takes up approximately 8 discs.
For those of you who walk on a treadmill for exercise (as I do), this is an ideal way of "reading a book" especially when using headphones.